Three Thousand Years In June 14Th, Hainan Li Jin Chi &Nbsp; Today Is Still Brilliant Morning News.

Dragon and Phoenix, flowers and plants and figures are being held in the second Li nationality brocade competition in Hainan province at the Hainan Provincial Museum. A beautiful pattern of Li brocade was born in 61 skillful hands of Li nationality women in Hainan province. They displayed the 3000 year history of Li brocade spinning, dyeing, weaving and embroidery. In 2006, this technique was listed as the first batch of China's first batch of intangible cultural heritage. In October 2009, it was listed by UNESCO as the first batch of intangible cultural heritage list.

Li Brocade is an exotic flower of Chinese textile art. It was famous in the spring and Autumn period. It was the earliest cotton textile in China. It is exquisitely made, brightly colored, full of exaggeration and romance. It is praised by collectors as one of the most valuable tourist handicrafts in Hainan.

Liu Xianglan, the successor of the brocade knitting technology of the national intangible heritage project, told reporters that Li Brocade is mainly made of embroidery, weaving, dyeing and weaving. Its dyes are mainly made from wild or domestic plants in the mountain area. These dyes are brightly colored and are not easy to fade. Li brocade has various patterns and beautiful patterns. Li people from all over Hainan have created many kinds of weaving, dyeing and embroidering techniques according to their own preferences.

Li brocade, representing five dialects, took part in the brocade competition, of which the oldest was more than 79 years old, and the youngest was only 14 years old. Chen Rusi, the youngest Li Jia Mei, was very skilled in weaving up Li Jin Lai. At the age of 12, she began to learn brocade. She was taught by her mother and the old man in the village. "Actually, it is not difficult to learn, but when you are sitting in a brocade, you feel tired."

Fu Qingxiang, a 54 year old Li nationality woman, pointed to the Dragon quilt hanging on the wall. "This is the two dragon quilt that I spent a year in." Fu Qingxiang told reporters that enterprises now entrust women in their villages to brocade brocade at home, earning around 1200 yuan a month.

"The second Li brocade competition of Hainan province" adheres to the principle of "protecting primarily, rescuing first, making rational use, inheriting and developing", displaying the outstanding traditional crafts of Li nationality, and promoting the communication of Li nationality's textile skills. According to the introduction, with the popularity of woven fabrics, the ancient Li brocade technology has not lagged behind. In recent years, the Hainan Li brocade handicraft Research Institute has devoted itself to the research and excavation and marketing of Li brocade skills. The research institutes in Hainan, the Qiongzhong, Dongfang, Five Fingers Group and other cities in the Li ethnic group, have found more than 450 women of Li nationality who have brocade technology. They organized their brocade by hand weaving with traditional brocade techniques. The Institute was responsible for the acquisition and promotion of sales, which not only provided the Li women with channels to increase their income, but also made the ancient Li brocade technology spread to the market.

Deng Jinghua, director of the Hainan provincial intangible cultural heritage protection center, said that the contestants and works of this time can basically represent the highest level of Li brocade in Hainan province. It is found that more and more modern elements have been penetrated into the works by the players, such as the more and more extensive use of industrial dyed cotton thread to the knitting, which may make the color and pattern of the Li brocade more bright and beautiful, but it will reduce the purity of the original flavor of some Li brocade culture.

Deng Jinghua said that productive protection is the initial rescue method for Li brocade, but it is necessary to retain the manual operation of the loom loom and retain the correct national cultural symbols and patterns. In order to make this unique folk art inherit and carry forward, it is necessary to establish a heritage mechanism and encourage the representative inheritors to carry out the study.